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about

Ambidextrous Sun is the debut album of an eclectic duo consisting of the danish guitarist Erik Emil Eskildsen (The Friendly Guitar Trio) and the german synth player Bernhard Wöstheinrich (centrozoon).

All pieces on this album are based on completely free improvisations, conceived, performed, and recorded to two separate stereo tracks. The melodies, rhythms, form and structure were all extracted from these improvisations, and "orchestrated" with additional instruments, or as the artists like to call it "lolchestrated". The initial improvisations remain as a backbone within each piece.

During the process, friends of both Bernhard and Erik were asking what they were up to, what was that new music they were working on? And as Bernhard and Erik were aware that their music was new and different, they decided to come up with a reply that was equally unique, and so the term "loljazz" was coined.

credits

released February 9, 2015

Erik Emil Eskildsen: guitar, electronics, drum programming, programming, sound design, editing, treatments, spectral editing, bass

Bernhard Wöstheinrich: synths, electronics, programming, piano, sound design, drum sounds, treatments

All tracks composed by Erik Emil Eskildsen & Bernhard Wöstheinrich

Additional musicians:
Aras Levni Seyhan: pocket piano
Tobias Reber: physical modeling synths

Initial production by Erik Emil Eskildsen
Additional production by Markus Reuter

Mixed by Markus Reuter for Unsung Productions
Mastered by Fabio Trentini

Cover photo by Christine Kriegerowski
Cover design by Bernhard Wöstheinrich

Erik Emil Eskildsen plays guitars by Touch Guitars® (www.touchguitars.com), and pedals by Red Panda Lab (www.redpandalab.com) and Paul Trombetta Design (www.paultrombetta.com)

www.eeeskildsen.com
www.redundantrocker.com

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all rights reserved

tags

about

Bernhard Wöstheinrich Berlin, Germany

Bernhard Wöstheinrich elicits meaning from abstraction in electronic music and painting. He has studied graphic design and has created an eclectic body of work in both graphics and music.
Bernhard speaks in his own musical voice; the musical arc of his work often moves from the curiously beautiful to the beautifully curious.
... more

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